Alex: Every Wednesday on Twitter, I pick a comics issue that caught my eye and do an illustrated thread of little observations and stuff I enjoyed about it. It’s called #oneweekonecomic, and I’m collating each thread into its own blog post.
This time out, we’re looking at Lonnie Nadler/Zac Thompson/Marco Failla’s AGE OF X-MAN: THE MARVELOUS X-MEN #1. Some (very mild) spoilers after the cut.
Alex: Today we’ve been running the assorted One Week One Comic threads I’ve been tweeting over the past month. For the sake of completeness, though, here’s a post adapting the thread that started it all – not on a single issue, but the first two trades of Rainbow Rowell/Kris Anka/Matt Wilson/Joe Caramagna’s RUNAWAYS.
Spoilers up to issue #12 after the cut.
Alex: So, over the past month, I’ve started playing with something new on Twitter. Each week, I pick a comics issue that caught my eye and do an illustrated thread of little observations and stuff I enjoyed about it. There are a lot of problems with Twitter as a platform, though, so I thought I’d try collating those thoughts into blog posts. This is all very much in the experimental stages, so let us know what you think.
This time out, it’s Kieron Gillen/Caspar Wijngaard/Mary Safro/Hassan Otsmane-Elhaou’s PETER CANNON: THUNDERBOLT #1. Spoilers follow after the cut. In the case of this particular comic, pretty enormous spoilers.
Alex: So, over the past month, I’ve started playing with something new on Twitter. Each week, I pick a comics issue that caught my eye and do an illustrated thread of little observations and stuff I enjoyed about it. There are a lot of problems with Twitter as a platform, though, so I thought I’d try collating those thoughts into blog posts. This is all very much in the experimental stages, so let us know what you think.
This time out, it’s Jordie Bellaire/Dan Mora/Raúl Angulo/Ed Dukeshire’s BUFFY THE VAMPIRE SLAYER #1. Spoilers follow after the cut.
Alex: So, over the past month, I’ve started playing with something new on Twitter. Each week, I pick a comics issue that caught my eye and do an illustrated thread of little observations and stuff I enjoyed about it. There are a lot of problems with Twitter as a platform, though, so I thought I’d try collating those thoughts into blog posts. This is all very much in the experimental stages, so let us know what you think.
This time out, it’s Eve L. Ewing/Luciano Vecchio/Geoffo/Matt Milla/Clayton Cowles‘ IRONHEART #2. Spoilers follow after the cut.
Alex: So, over the past month, I’ve started playing with something new on Twitter. Each week, I pick a comics issue that caught my eye and do an illustrated thread of little observations and stuff I enjoyed about it. There are a lot of problems with Twitter as a platform, though, so I thought I’d try collating those thoughts into blog posts. This is all very much in the experimental stages, so let us know what you think.
This time out, it’s Kieron Gillen/Stephanie Hans/Clayton Cowles/Rian Hughes’ DIE #2. Spoilers follow after the cut.
Welcome back to our season-by-season look at the official Greatest TV Show of All Time. Every month (in theory), I track The Simpsons’ development, in an attempt to identify whether each season has its own character, and whether the show really does have a clearly-defined ‘Golden Age’.
Welcome back to our season-by-season look at the official Greatest TV Show of All Time. Every month (in theory), I track The Simpsons’ development, in an attempt to identify whether each season has its own character, and whether the show really does have a clearly-defined ‘Golden Age’.
Welcome back to our season-by-season look at the official Greatest TV Show of All Time. Except, in this instalment, we find ourselves in a strange land – yet, one that somehow feels oddly familiar…
Welcome back to our season-by-season look at the official Greatest TV Show of All Time. Every month (in theory), I track The Simpsons‘ development, in an attempt to identify whether each season has its own character, and whether the show really does have a clearly-defined ‘Golden Age’.
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